Feminist
Analysis on The Virgin
The
story revolves around the main character Miss Mijares, a writer who has all the
metaphors and symbols in her side coming handy to unveil his emotions. A
dependable daughter also wishing love from others, especially a man to become
her companion in life. However, being the eldest daughter in the family, she is
expected to fulfill her duties to the family before anything else, especially
tying the knot. Her extreme desire to have a man to live with was revealed in
this segment of the story: "But neither love nor glory stood behind her,
only the lurking, empty shadows, and nine years gone, nine years. In the room
of her unburied dead, she held up her hands to the light, noting the thick,
durable fingers, thinking in a mixture of shame and bitterness and guilt that
they had never touched a man."
As shown in the short
story, Miss Mijares was spent a considerable of her existence in achieving the
burden put on her shoulders: obtaining a college diploma, sending her niece to
school, and taking care of her mother. This is the role of the eldest daughter
of the Filipino family as dictated by the society.
Going
back to Miss Mijares’ man hunt, a
certain scenario in the story shows her romantic feelings when she became
angered upon knowing that the carpenter she is targeting has a family but felt relieved all of the sudden when the
latter admitted he is not wed with his son’s mother. Evidently, it reveals Miss
Mijares’ flare-up of hidden regard towards the carpenter who once offered
something to Miss Mijares which she liked as suggested by her laughing as she
received it. By and through this, it was confirmed that she really was
attracted to the carpenter as implied by her reaction.
In
addition, the inner struggle of Miss Mijares was shown in the story. Striving
real hard to fit in the society as how women should be, she shelled her real self but was later uncovered (not
literally hough). It might be so un-you
in her case but she has to do so just to adhere to the societal norms for
women.
Like almost all other
women, Miss Mijares’ protests are implicit, growling inside her but too afraid
to go out. Torn between her socially dictated self and the real she, this
symbolic protest actually created confusion within her. However, the main
character should not be caged by the society forever. As the story unfolds, she
learned to be a woman, the one ready
to stand for what she believes in, not what the society does. She was
untethered from all the societal stuffs as implied in this paragraph:
"In her secret heart, Miss Mijares' young
dreams fluttered faintly to life, seeming monstrous in the rain, near this man
- seeming monstrous but also sweet and overwhelming. I must get away, she
thought wildly, but he had moved and brushed against her, and where his touch
had fallen, her flesh leaped, and she recalled how his hands had looked that
first day, lain tenderly at the edge of her desk and about the wooden bird
(that had looked like a moving, shining, dove) and she turned to him: with her
ruffles wet and wilted, in the dark she turned to him."
In
the conclusion of the short story, Miss Mijares has shooed out of captivity the
Miss Mijares she has to be, not the one who is muffled and meddled by social expectations
to a woman like her. It was further shown as she is already ready to surrender
her virginity, an emblem of his self-respect and respect for the man it
deserved.
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